Tuesday, 28 February 2017

SIDELIGHTS : : A newspaper has two sides to it. On the one hand, it is a business like any other business, carried on for profit and depending on profit for prosperity or existence. On the other hand,, it may be described as a public utility service, a service which may be performed well or ill, but to the interests of the public. These two elements in the life and purpose of a newspaper are not always in accord; they may even violently conflict. Yet on their harmony the character and usefulness of a newspaper must depend.—C . P. SCOTT.

SWATANTRA—SEPTEMBER 27, 1947


A WRITER in a recently started weekly journal called upon one of the Ministers the other day to go and drown himself in the Cooum. I cite this as an example of advice that is never likely to be acted upon by those to whom it is addressed, however vigorously or captivatingly the advice may be phrased. Good journalism should restrict itself to purposes capable of being realized. In the expounding of opinion there is no charm in getting the plaudits of those who are already on your side. Achievement consists in forcing readers who belong to the “other” side to change over to your own under the irresistible compulsion of argument. In British journalism J. A. Spender excelled all others in this sort of achievement.


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Lord Northcliffe said of Spender that he was the only man who could edit The Times, but it is with the Westminster Gazette that Spender’s name is primarily associated. In a note on spender’s completion of twenty-one years of editorship, the Manchester Guardian wrote, “The Westminster is the one journal in London which sells on its leader. It is unlike all other London leaders in that it is addressed to and read by the thoughtful section of the opposite party.” Spender was a devotee of the Liberal Party and the Westminster while he edited it was regarded as the most authoritative exponent of Liberalism in the British Press. But party loyalty never led to decline of intellectual independence in his case. In a laudatory letter to Spender, Sir Edward Grey said, “You manage to combine independent thought with unswerving support of the party in a way which is rare. It makes your articles like the opinion of a valued colleague. I know nothing else in journalism like it.”
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Spender made a mark for reasonableness “not unsalted with wit”, and his peculiar combination of sanity, sincerity and scrupulous fairness which always made for moderation of expression was a source of constant exasperation to unreasonable opponents who found themselves powerless to deal with him in the customary styles of invective and denunciation. Spender used reason as the supreme journalistic weapon in a rather coldblooded way, but he had a passion for taking himself seriously and facing most respectfully the arguments of those who differed from him. He was a warmhearted apostle of journalistic integrity who felt sorely distressed professionally whenever he saw the power of the Press used for purposes that did not conduce to the public good. On such occasions he went out of his way to remonstrate with newspaper proprietors and persuade them to return to the paths of social duty.

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Once when Lord Northcliffe conducted in the Daily Mail a campaign which Spender felt was doing a great deal of harm to the public, he went to Lord Northcliffe and objected to the campaign and begged him to put a stop to it. The story of how Lord Northcliffe dealt with his appeal is given by Robert Hichens in his just published autobiography, Yesterday:

“Northcliffe touched a bell and gave an order. The order was that the circulation sheets of the Daily Mail, from before the beginning of the campaign to that moment, should be brought to him. They were brought, and Lord Northcliffe showed them to Spender. The sheets proved that even since the beginning of the campaign which Spender considered so harmful to public opinion the circulation of the paper had been steadily rising.

“You see!” Lord Northcliff said.

Spender said, “Yes ! Well?”

Lord Northcliffe simply moved his broad shoulders, as much as tosay, “How can you possibly expect me to stop a campaign that is doing so much good to the paper?”

And the interview came to an end.
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The Northcliffian tradition has spread from Britain to the rest of the world. It has not spread the Press of this poor country. We have journals run to create bad blood because the creation of bad blood is popular with excited groups primed for mutual recrimination and belligerency and happens for the time to be commercially profitable. It was the distinction of Spender’s Westminster that though it lost money and had, compared with the millions of readers of the Northcliffian Press, an inconsiderable circulation, it commanded a greater weight of influence per reader, having regard to the character of its readers, than any other London paper existing then or since. A revealing reminiscence indicating the superiority of the Westminster in the matter of continual gripping of intelligent readers’ interest is given by Sir Robert Edgcumbe:

“I was travelling to London on a Thursday afternoon, and was alone in my compartment. At Hatfield Lord Salisbury got into the same carriage, and as the train moved off he was handed three evening papers. Shortly after we started he took them up, opened first the Globe and immediately threw it upon the floor of the carriage; then he opened the Evening Standard and treated it in a similar manner; lastly he opened the Westminster diligently until we arrived at King’s Cross station.”

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Some papers are just glanced at by their readers and thrown away. Some are bought for racing tips. Some for the appeal to avarice they contain in the form of lavish crossword puzzles. Some for the pictures of captivating pin-up girls which they print. And quite a lot (of late) for the predictions they venture as a regular feature to lure the anxious and the despondent tossed about in the sea of life’s troubles, with imaginary paradises of impending good fortune. These inroads on journalism by skilled exploiters of crowd hungers serve to confound professional eminence and success with the mere knack of putting through techniques of remunerative sensationalism. They have been tending to vulgarise the Press and to deprive it more and more of its social purpose. A great pity!

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The date of publication of this issue of Swatantra synchronises with the silver jubilee of K. Iswara Dutt’s entry into journalism. His friends and admirers are celebrating the happy occasion in a fitting manner. Dutt is now Public Relations Officer in Hyderabad. It is a singularly difficult and delicate post to hold at the present juncture. It is remarkable that not even a tiny smear of the wild passion roused in all and sundry by the state of affairs now prevailing in that gravely disturbed State should have clung to him in the process of his official duties so closely connected with its Government. This gift of coming unscathed through storms that would have broken to pieces and wrecked the career of any less indomitably pleasant spirit, is Dutt’s unique asset. He has conquered all difficulties with a social charm that has taken most of India’s great, captive. Of Arthur Mee, a man of wonder in Britain’s Fleet Street, whose expertness in fitting every conceivable topic on earth with relevant tit-bits of historical interest, accounted to genius, admirers used to ask, Wherefrom did he gather all this knowledge? Early in his career Arthur Mee began a collection of cuttings from every available source which in course of time grew to such dimensions that a huge cabinet of many drawers was required to accommodate them all. It was insured for a thousand pounds. The result of his analysis and assortment of every scrap of general information collected through years of daily examination of the Press was to build up Arthur Mee into a prodigy of encyclopaedic knowledge with stupendous mastery over a vast variety of miscellaneous subjects. Dutt has a stock of cuttings that can be worthily compared with Mee’s. It is a rich treasure house from which invaluable results can be expected. Acquaintance with it has fashioned Dutt into a literary craftsman of exceptional polish.—(September 27, 1947) S A K A.

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